His films, which frequently mix incisive political messages with disturbing character relationships and iconic horror imagery, are simultaneously artful and raw.

Inarguably one of the most creative, idiosyncratic, visionary directors of our time, Stanley Kubrick falls easily into this categorisation of auteur. In other words, cinematic masters have the freedom to make their films truly their own, and the vision to create something unique in doing so. Such filmmakers leave an indelible mark on their films they exert unmistakable control over their project they allow their creative idiosyncrasies to seep into every aspect of their process. From Alfred Hitchcock to Jean Renoir, from Claire Denis to Quentin Tarantino, the film masters’ canon is a rich one. There may be hundreds of such ill-fated directors circulating, however, the last 120 years of filmmaking have given us a precious selection of truly masterful auteurs. In many cases, at least in a film’s public profile, the director works behind the scenes, barely participating in the promotion circuit, and in the most disheartening cases, can even earn the label of a “ Hollywood Hack”. What is that elevates a filmmaker to a film master like Stanley Kubrick, or that elegant French word, auteur? In the vast majority of films that make it onto the big screen these days, it is the actors’ names which draw curious audiences above the director’s.

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